It's Awanti Pura Temple and Ancient Martand Surya Temple - Anantanag.

Andhi (1975) movi's famous song " Tere Bina Zindagi se koi shikwa to nahi" was shot at Martand Sun Temple. The ruins of Martand Sun Temple located 64-km south-east of Srinagar should be stamped prominently on the tourist map of Jammu and Kashmir. Tourists who flock to popular destinations like Pahalgam and Aru Valley should make a point of visiting the Sun Temple of Martand, which lies in district Anantnag. 

The place is covered in snow during winters.Awantipora or Awantipur is a town and a notified area committee in Pulwama district of the Indian state of Jammu & Kashmir. It is situated between Anantnag and Srinagar on National Highway 1A. Awantipora was named after Avanti Varman and had a number of ancient Hindu temples built by the king including the Avantiswami Temple. 

The ruins of temples constructed by Lalitaditya are also found in Awantipora. The temple sites are protected and maintained by the Archaeological Survey of India.

At Avantipura itself Avantivarman erected two magnificent temples, one dedicated to Lord Vishnu called Avantisvamin and the other to Lord Siva called Avantisvara, the former built before his succession to the throne and the latter obtaining sovereignty. During the medieval times, these temples witnessed mass destruction and were reduced to ruins.

The early part of twentieth century witnessed large scale operation by D.R. Sahni who exposed the entire quadrangle of the temple down to the floor of the courtyard and reclaimed the extant basement of the central shrine and remains of the subsidiary shrines. The excavation yielded a rich crop of antiquities including 121 coins issued by Toramana, Sultans of the Shah Miri dynasty, Durrani Afghan rulers etc. Sahni also excavated the quadrangle of the Avantisvara temple and brought to light a small earthen jar having 108 copper coins issued by various rulers, fragments of birch manuscripts containing accounts of articles of worship, inscribed earthen jar etc.

The layout of the original complex consists of a temple erected in the central part of a spacious oblong courtyard, four smaller shrines at the four corners of the central shrine, a running roofed peristyle with an array of cells ranged around the periphery of the paved courtyard, and an imposing gateway. In front of the staircase of the central shrine was a sort of a pillared mandapa with open sides, containing within perhaps garudadvaja. The temple is effectively distributed with exuberant carvings and refined, graceful sculptures which is a masterly symphony of architecture and art.

Write-up and Picture Credit: Tapan Mukherjee, Nilabja Ghosh

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